I tend to shoot with the following settings: ISO 200, ƒ/11, 1/250. I’ve also placed two sheets of polystyrene in the Graslon Spark for additional diffusion. I pair the flash with the Graslon Spark flash diffuser to diffuse the harsh light. I use my camera’s built-in flash for lighting. Check out my article on reverse lens macro photography to learn more about my setup! This allows me to look through the viewfinder with a completely open aperture, which provides a bright and clear view of my subject. The Vello adaptor retains electrical connectivity between my camera and lens. I use the Vello Macrofier Reverse Mount Adapter to reverse mount my Canon EF-S 24mm ƒ/2.8 lens to my Canon 90D. It’s not very glamorous, but it’s what I had available and it works amazingly well. I placed colored construction paper in the container to create a pastel background. I made my studio using a small plastic food storage container and a small glass plate from an old photo frame. How I Approach Snowflake Photography Planning and Preparationīefore stepping outside, I got to work crafting a snowflake studio. Snowflake photography has intrigued me for years, but I wasn’t brave enough to weather the snow until a few years ago. A “give me 95☏ and 80% humidity and I’ll still be out chasing bugs” kind of photographer. But I’m what some may call a “fair-weather” photographer. I’ve spent the better part of my life photographing nature’s smallest details. My early years of shooting flowers eventually evolved into my obsession with macro insect and spider photography. Use one of Olympus’ creative Art Filters (available in current Olympus cameras as well as the O.I.Share App) to make a truly unique image or download the image to the computer for editing.How I Fell in Love with Snowflake Photography.Use the LCD screen to compose the image and then snap the shutter.Find a single snowflake that can be isolated as the subject.Don’t have the 60mm macro? Try using the M.Zuiko 12-50mm lens’ macro mode or even the MCON-P02 macro lens adapter. Set the lens to the 1:1 ratio (35mm equiv). For best results, use the M.Zuiko 60mm F2.8 Macro Lens.Need extra light? Add an external flash like the FL-600 R either on- or off-camera to create the desired effect. Nothing ruins a macro shot like inferior lighting or out-of-focus subject. Make sure your lighting is adequate and that you have a tripod.I like using darker material so the snowflakes stand out against it. Although I still prefer to use a window to capture snowflakes, you can also use a blanket or other piece of fabric that has been left in the cold to prevent too-fast melting.Feel free to edit them any way your heart desires. I added some additional color to my images to make the snowflakes pop, but that’s not necessary. After downloading the images to the computer, edit them to fit your style.In fact, I ended up with so many good images that picking the best was a challenge. The window is great for stabilizing your camera. The best part about using the window is you don’t suffer from camera shake. Snap the picture when you’ve found your flake and the camera has achieved autofocus.As with all macro work, it takes some time to get the hang of it. Getting the snowflake in the frame can be a challenge, but be patient. Double-pane windows create the ideal distance from the camera to the snowflake. Put your camera directly up against the window.Push the “T” to zoom in as close as you can.You can also use the focus stacking feature in order to get a sharper image. This generally happens while the snow is falling, but it can also happen if there is wind blowing the flakes around. Find a window to which the snowflakes have attached.In fact, by using the following method, I don’t even get cold! Make sure to catch the snowflakes as soon as they have fallen to prevent melting. Using the Super Macro Mode found in the TG-4, TG-5 and TG-6 tough cameras is my favorite way to photograph snowflakes.
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